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I have long enjoyed much of Tyler Perry’s work. Generally one of the token Caucasian press at screenings or press junkets, I have often felt Perry’s work has elevated beyond that of a stereotypical caricature African-American and successfully crossed over into every demographic with character traits relatable to every ethnicity, demographic and religion. More than anything, though, I find his characterizations more deeply rooted in Southern culture and religion, a point on which my very Sou...
