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Anyone familiar with Anton Corbijn' s photography recognizes and appreciates his austere, simple, yet powerful, elegance - particularly with his black & white or tint works. He has a very metaphoric eye which enables him to tell an entire story with one frame, evoking and provoking introspective thought and emotion, a gift that bodes well for his transition to film. He needs no words to tell a story, something that makes him the perfect director for THE AMERICAN. Based on Martin Booth's novel...
